ISSN 1882-6865
Vol. 76, Issue 1, 2017November 30, 2017 JST
ccby-4.0
Laurel Kendall, Jongsung Yang, and Yul Soo Yoon. God Pictures in Korean Contexts: The Ownership and Meaning of Shaman Paintings
Laurel Kendall, Jongsung Yang, and Yul Soo Yoon. God Pictures in Korean Contexts: The Ownership and Meaning of Shaman Paintings
Keith Howard,
Articles in Vol. 76, Issue 1, 2017
Vol. 76, Issue 1, 2017
- AE 76-1 Table of ContentsBenjamin DormanFrank J. Korom
- Editor's Introduction: Interpreting Sinitic Heritage Ethnography and Identity in China and Southeast AsiaAnne E. McLaren
- Recreating "Traditional" Folk Epics in Contemporary China: The Politics of Textual TransmissionAnne E. McLarenEmily Yu Zhang
- Culture Paves the Way, Economics Comes to Sing the Opera: The Rhetoric of Chinese Folk Duets and Global Joint VenturesLevi S. Gibbs
- Research, Cultural Heritage, and Ethnic Identity: Evaluating the Influence of Kam Big Song Research of the 1950sCatherine IngramJiaping Wu
- The Sinophone Roots of Javanese Nini TowongMargaret Chan
- “Negotiation” Between a Religious Art Form and the Secular State: Chinese Puppet Theater in Singapore and the Case Study of Sin Hoe PingCaroline Chia
- Jeff Roy, Director. _Mohammed to Maya_Walter Hakala
- Susan Østigaard and Beathe Hofseth, Directors. _Light Fly, Fly High_Frank J. Korom
- Tim Graf and Jakob Montrasio, Editors and Directors. _Buddhism after the Tsunami: The Souls of Zen 3/11 Japan Special_Benjamin Dorman
- Raminder Kaur and Parul Dave-Mukherji, Editors. _Arts and Aesthetics in a Globalizing World_Gisa Jähnichen
- Faye Yuan Kleeman. _In Transit: The Formation of the Colonial East Asian Cultural Sphere_Danton Leary
- Regina F. Bendix, Aditya Eggert, and Arnika Peselmann, Editors. _Heritage Regimes and the State_Leah Lowthorp
- Tiantian Zheng, Editor. _Cultural Politics of Gender and Sexuality in Contemporary Asia_Anthony Shay
- Mrinalini Chakravorty. _In Stereotype: South Asia in the Global Literary Imaginary_Narasingha P. Sil
- Elliot Oring. _Just Folklore: Analysis, Interpretation, Critique_Timothy R. Tangherlini
- Kama Maclean. _A Revolutionary History of Interwar India: Violence, Image, Voice and Text_Ishita Banerjee-Dube
- Frank Heidemann and Philipp Zehmisch, editors. _Manifestations of History: Time, Space, and Community in the Andaman Islands_Carola Erika Lorea
- Lakshmi Srinivas. _House Full: Indian Cinema and the Active Audience_Philip Lutgendorf
- Andrew Duff. _Sikkim: Requiem for a Himalayan Kingdom_Kikee Doma Bhutia
- Townsend Middleton. _The Demands of Recognition: State Anthropology and Ethnopolitics in Darjeeling_Nilamber Chhetri
- Prabhavati C. Reddy. _Hindu Pilgrimage: Shifting Patterns of Worldview of Shri Shailam in South India_Leela Prasad
- Carola Erika Lorea. _Folklore, Religion and the Songs of a Bengali Madman: A Journey between Performance and the Politics of Cultural Representation_Sukanya Sarbadhikary
- Jennifer A. Fraser. _Gongs & Pop Songs: Sounding Minangkabau in Indonesia_Surya Suryadi
- Henry Spiller. _Javaphilia: American Love Affairs with Javanese Music and Dance_Christine R. Yano
- R. Keller Kimbrough, Trans. with an Introduction. _Wondrous Brutal Fictions: Eight Buddhist Tales from the Early Japanese Puppet Theater_Satoko Shimazaki
- Rebecca Suter. _Holy Ghosts: The Christian Century in Modern Japanese Fiction_Daniel A. Métraux
- Laurel Kendall, Jongsung Yang, and Yul Soo Yoon. _God Pictures in Korean Contexts: The Ownership and Meaning of Shaman Paintings_Keith Howard
- Karl E. Ryavec. _A Historical Atlas of Tibet_A. C. McKay
- Ana Cristina O. Lopes. _Tibetan Buddhism in Diaspora: Cultural Re-Signification in Practice and Institutions_Daniel A. Métraux
Howard, Keith. 2017. “Laurel Kendall, Jongsung Yang, and Yul Soo Yoon. God Pictures in Korean Contexts: The Ownership and Meaning of Shaman Paintings.” Asian Ethnology 76 (1): 198–201.